Official Movie Website

Theatrical Release
05/21./2010

Home Video
Not Available

MPAA Rating
Rated PG for mild action,
some rude humor and brief
language

Running Time
99 Minutes

Genre
Action & Adventure,
animation, Fantasy, Comedy,
Children

Director
Mike Mitchell

Writer


Cast
Mike Myers, Eddie Murphy,
Cameron Diaz, Antonio
Banderas, Julie Andrews,
John Cleese, Walt Dohrn,
Jon Hamm, Jane Lynch and
Craig Robinson

Studio
Dreamworks
Animation/Paramount
Pictures
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SHREK FOREVER AFTER (Shrek 4)   (2010)  
                              SYNOPSIS

After challenging an evil dragon, rescuing a beautiful
princess and saving your in-laws’ kingdom, what’s an
ogre to do? Well, if you’re Shrek, you suddenly wind up
a domesticated family man. Instead of scaring villagers
away like he used to, a reluctant Shrek now agrees to
autograph pitch forks. What’s happened to this ogre’s
roar? Longing for the days when he felt like a “real
ogre,” Shrek is duped into signing a pact with the
smooth-talking dealmaker, Rumpelstiltskin. Shrek
suddenly finds himself in a twisted, alternate version of
Far Far Away, where ogres are hunted, Rumpelstiltskin
is king and Shrek and Fiona have never met. Now, it’s
up to Shrek to undo all he’s done in the hopes of saving
his friends, restoring his world and reclaiming his one
True Love.





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© 2003 St. Louis Movie Review Weekly. All rights reserved, except where indicated.
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ST. LOUIS MOVIE REVIEW WEEKLY
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The fourth movie in the Shrek series, Shrek Forever After, is definitely a letdown.   In this version Shrek
makes a deal with Rumplestiltskin to spend a day as an ogre; no wife, no kids, no friends, and no unafraid
townspeople.   Rumplestiltskin only wants to take away one day in Shrek’s life in return; however, the day
he takes back is Shrek’s birth.  Shortly after enjoying his day as an ogre, Shrek realizes that no one knows
who he is, including his best friend, Donkey.  He also sees Fiona’s picture on Wanted signs throughout the
forest.  He then goes on a mission to fix the mistake he made when he signed the contract with
Rumplestiltskin.  The reintroduction of Donkey, Puss in Boots, and Fiona should have been as funny as the
first, but it falls short.  The characters' new story lines are flat and the satirical humor that has made this
series enjoyable for both children and adults is almost non-existent, as if the writers have ran out of
jokes.  The 3D effects are pretty good and the story has a nice moral.  Unfortunately, the letdown is the
humor , which is not up to par with its predecessors.
By Brenda Ladd